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cccTheissueofWarwidowrepresentationinIsraelicinemaisoneofthemostcomplexforthelocalindustryforitseemstobeuniqueandwithaverylocalandspecificiconography.  ThewarWidowisadifficultcharactertodigest.BecausethisisanespeciallypainfultopicinIsrael,itsmodeofrepresentationisalmostalwaysproblematic.  GilaAlmagorinTofano'ssiegeisoneofthefirstcharactersofthemodernwarwidowstoappearonIsraelicinemascreens.  Thehumanandsocialcomplexityofthestatusofwidowswasnotrepresentedadequatelyandpersonallyuntilhercomplexandfineappearanceinthisfilm.  ItwasmostlyPrecededbyclichesofheroicwomenwhohavesacrificedforthenationwithcharacterstowhichitwasverydifficulttogetattached,nortotheirpersonalgrief.  SiegewasdirectedbyanunknownItaliandirectorofthatperiod.AlthoughGilbertoTofanowasbroughtasaprofessionaldirectoronthewingsofinspirationmadebytheFrenchNewWaveofthoseyears,hemanagedtoturnoutaveryexcitingworkwhichhascaughttheIsraeliwarmthandsenseofsocialsiegewhichsurroundstheIsraeliwidows,includingthegreatexpectationsfromthemandthesocialstigmas.  TofanowrappedhisleadingladywithlotsofwarmthandgaveaplaceofhonortoAlmagor'simpressivepresenceinthefilm.  ThisiswithoutadoubtoneofAlmagor'sbestandmostaccurateperformances.TherestraintinherperformanceplustheshootingandexpressiveuseofanglesbyTofanoandhissoftEuropeantouchwhichwasfarofffromtheaggressivelocalproductmanagedtoproduceasenseofdocumentinganauthentictragedywithatangiblepersonaltouchthatminimizedthenationaldimension.Theresultstandsthetestoftimeproudlyseveraldecadesafteritscreation.

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